Conteudo

09 Feb 2019

VORONIA

Dance

A cave as an allegory of hell. In Voronia, the company La Veronal, directed by Marcos Morau, dives into the depths of the earth to explore evil.The cave Krúbera - Voronia, in the Autonomous Republic of Abkhazia, Georgia, considered the deepest cave in the world - is the starting point to the exploration, on stage, of an authentic psychic trip through an underworld of ritual made by men and women in almost clerical clothing, trapped in a sort of limbo.
The dance in Voronia deconstructs the organic sequence, placing the body in a discussion with itself, a scream without voice, in movement, to go as far away as possible searching for the supreme performance. The music sways between a pulsating electronic beat, whispered voices and bits of classical music, the outcome in continuously unsettling. 
Between moral reasoning, the virtuous dance and the dark atmospheres, Voronia maintains the labyrinthine aspect of the dramaturgy of La Veronal's pieces, which generate in the public an appealing experience, through the explosive encounter between dance, text and image, in which each one of us will find his/her own depiction.
Direction Marcos MorauChoreography Marcos Morau With the collaboration of the performers Dramaturgy Roberto Fratini and Pablo Gisbert - El Conde de TorrefielInterpretation Àngela Bosch, Julia Cambra, Jon López, Núria Navarra Lorena Nogal, Shay Partush, Marina Rodríguez and Sau-Ching WongWith the collaboration of El Graner Centre de CreacióSponsoring INAEM - Ministerio de Educación Cultura y Deporte de España and ICEC - Departament de Cultura de la Generalitat de CatalunyaCoproduction Théâtre National de Chaillot (Paris, France), Hessisches Staatsballett Darmstadt Wiesbaden, Tanz im August Berlín, Mercat de les Flors (Barcelona, Spain), Grec 2015 - Festival de Barcelona (Spain)
© Jesús Robisco
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