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"Fadista, beyond fado", as Nuno Pacheco called him on the pages of Público, António Zambujo presents his Quinto, considered by critics as one of the best records of 2012. From Alentejo to the rest of the world this musician's work has been lauded in the four corners of the world, namely, by Caetano Veloso who, while hearing the sound of António Zambujo, was reminded of João Gilberto and everything "that came to Brazilian music because of him".
As it happened with his other albums: O Mesmo Fado (2002), Por Meu Cante (2004), Outro Sentido (2008), Guia (2010); in Quinto (2012) we can once again feel Zambujo's unavoidable influences, ranging from the Alentejo chorus singing of his childhood (the harmony of voices, the cadence of sentences and the tempo of each movement), to the fado he later embraced.
"Fadista, beyond fado", as Nuno Pacheco called him on the pages of Público, António Zambujo presents his Quinto, considered by critics as one of the best records of 2012. From Alentejo to the rest of the world this musician's work has been lauded in the four corners of the world, namely, by Caetano Veloso who, while hearing the sound of António Zambujo, was reminded of João Gilberto and everything "that came to Brazilian music because of him".
As it happened with his other albums: O Mesmo Fado (2002), Por Meu Cante (2004), Outro Sentido (2008), Guia (2010); in Quinto (2012) we can once again feel Zambujo's unavoidable influences, ranging from the Alentejo chorus singing of his childhood (the harmony of voices, the cadence of sentences and the tempo of each movement), to the fado he later embraced.
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Photo Gonçalo F. Santos
Within the ambit of 5 Sentidos network
Within the ambit of 5 Sentidos network