Dance
In 2011 I had the opportunity of participate, in a pedagogic context, in the reinterpretation of the piece Continuous Project Altered Daily (1970), by Yvone Rainer, from available archives and artists testimonials. On that moment, work tensions appeared and they would come to materialize in the piece itself: a work process transformed in aesthetic experience that claimed the choreographic labour as an artistic product. It was literally about the way a group of individuals interacted and negotiated a set of actions together, in a process that was both naturalized and induced choreographically. In this continued project we give following to this "idea" of choreography as technology that verifies, activates and transforms relations between individuals. Appealing to objects of the history of dance, to their context and ideologies, and to their relationship with music, we sought to reconsider and operate in a way as the choreography and the dance establish ideological patterns that lay down or put in question the dominant ethic and aesthetic systems.
João dos Santos Martins
João dos Santos Martins
Additional information
By João dos Santos MartinsIn collaboration with Ana Rita Teodoro, Clarissa Sacchelli, Daniel Pizamiglio, Filipe Pereira and Sabine MacherPiano Simão CostaLights in collaboration with Ricardo Campos Production and diffusion Circular Associação CulturalCo-production Culturgest, C. C. Vila Flor, CCN from Montpellier Languedoc-Roussillon in the project context Life Long Burning subsidiated by the Culture programme of the European Union Artistic Residences CCN from Montpellier Languedoc-Roussillon, Centro de Criação de Candoso, EIRA, Musibéria and O Espaço do Tempo Supports Teatro Sá da Bandeira and C.M. Santarém
© José Carlos Duarte
© José Carlos Duarte