MULTIDISCIPLINARY
sat 9.00pm | 50 min.| 12 yrs and upcapacity limited at Stage price €5 // w/o discount Where does a scream come from? What is the reach of a scream? How does the body distort when we scream?
"HURLULA" is a project based around the act of screaming. Between dance and music, "HURLULA" is a performance that takes the form of a choreographed concert. "HURLULA" aims to take audiences on an emotional pilgrimage to the depths of the human body. A show that is simultaneously intimate, ecstatic and lunar. A veritable impulse to break the shackles of conventional beauty and feminine decorum.
Through choreographic and musical research on the subjects of voice and body, Flora Détraz shares her interest on the articulation between the visible and the unseen and between the world within and the world outwith. Screaming seems to be the sound more directly related to our inner self, with our deepest fears. It is, at the same time, intimate and visceral, but also excessively expressive, one's gaping maw bordering on indecent.
Screaming has the ability to express a multitude of emotions. It can be a cry of disarray, anger, horror, fear or pleasure. Screaming surpasses articulated language. It is a manifestation of raw and spontaneous emotion. We can link it to animality, early childhood, intimacy or even some rituals. Screaming is a stimulus that emanates from inside. It is one's body overflowing. The aftershock of an explosion that transgresses the norms of society. It takes us by surprise. It breaks the silence.
"HURLULA" is a project based around the act of screaming. Between dance and music, "HURLULA" is a performance that takes the form of a choreographed concert. "HURLULA" aims to take audiences on an emotional pilgrimage to the depths of the human body. A show that is simultaneously intimate, ecstatic and lunar. A veritable impulse to break the shackles of conventional beauty and feminine decorum.
Through choreographic and musical research on the subjects of voice and body, Flora Détraz shares her interest on the articulation between the visible and the unseen and between the world within and the world outwith. Screaming seems to be the sound more directly related to our inner self, with our deepest fears. It is, at the same time, intimate and visceral, but also excessively expressive, one's gaping maw bordering on indecent.
Screaming has the ability to express a multitude of emotions. It can be a cry of disarray, anger, horror, fear or pleasure. Screaming surpasses articulated language. It is a manifestation of raw and spontaneous emotion. We can link it to animality, early childhood, intimacy or even some rituals. Screaming is a stimulus that emanates from inside. It is one's body overflowing. The aftershock of an explosion that transgresses the norms of society. It takes us by surprise. It breaks the silence.
Additional information
Creation Flora Détraz Choreography and performance Flora Détraz Music Lê Quan Ninh, Claire Mahieux and Flora Détraz Percussion Lê Quan Ninh Feedback and sound design Claire Mahieux Set design Nadia Lauro Lighting design and operation Arthur Gueydan Costume design Flora Détraz e Nadia Lauro External support Agnès Potié Stage direction Tatiana Carret Set construction Nadia Lauro, Marie Mareca and Nina Michel Costumes Chloé Courcelle Acknowledgement Théo Aucremanne Management and production Aoza production - Aline Berthou, Charlotte Bayle Promotion Key Performance - Koenraad Vanhove Production PLI Partnerships, co-productions and residencies Forecast - Skills e. V / Berlim (DE) ; Maison de la Danse / Pôle européen de création et Biennale de la danse de Lyon 2023 (FR); Atelier de Paris / CDCN (FR); Charleroi Danse - Centre chorégraphique de Wallonie-Bruxelles - Be ; PACT-Zollverein, Essen (DE); Centre Pompidou & Festival d'Automne à Paris (FR); LUX Scène nationale de Valence (FR); Centre Chorégraphique National de Caen Normandie - director Alban Richard (accueil-studio / Ministère de la Culture et de la Communication); Chorège I CDCN Falaise Normandie (FR); A-CDCN (FR) (Les Hivernales - CDCN d'Avignon, La Manufacture - CDCN Nouvelle - Aquitaine Bordeaux - La Rochelle, L'échangeur - CDCN Hauts-de-France, Le Dancing CDCN Dijon Bourgogne-Franche-Comté, Chorège I CDCN Falaise Normandie, Le Pacifique - CDCN Grenoble - Auvergne - Rhône-Alpes, Touka Danses - CDCN Guyane, Atelier de Paris / CDCN, Le Gymnase CDCN Roubaix - Hauts-de-France, POLE- SUD CDCN / Strasbourg, La Place de la Danse - CDCN Toulouse / Occitanie, La Maison CDCN Uzès Gard Occitanie, La Briqueterie CDCN du Val-de-Marne); Réseau R. O. M (Residencies On the Move) em La Balsamine - Brussels, in partnership with le joli collectif (BE, FR); Teatro Viriato, Viseu (PT); O Espaço do Tempo, Montemor-o-novo (PT); Alkantara, Lisbon (PT); MA scène nationale - Pays de Montbéliard (FR); Montpellier Danse within the ambit of residency at I'Agora, cité internationale de la danse, with the support of Fondation BNP Paribas (FR); Montevideo, Marselha (FR); GMEM - centre de création musicale, Marselha (FR); Onda - Office National de Diffusion Artistique within the ambit of programme Ecran Vivant; La Villa Albertine - New York Residency, in partnership with Institut Français, Théâtre Nanterre-Amandiers - CDN. PLI is supported by D.R.A.C Normandie's "aide au conventionnement" and Région Normandie's "aide aux structures et artistes".